Audience Analysis and Reception Essay Example | Topics and Well Written Essays - 500 words

Crowd Analysis and Reception - Essay Example Additionally, since the crowd is the administration of the working environment, I should likewise remember that my report ought to be succinct and forthright, since the administration would not have enough to extra time and read a protracted report with more hanky-panky and less genuine substance. The report ought to mirror the general impression of the association. The most significant interesting points while composing a proper report are its tone, structure, and length. Be that as it may, other crowd needs incorporate their age and instructive level. I should not present intricate, specialized data to non-specialized crowd. To really expound, a proper report must contain a few or these auxiliary parts, keeping in see that the administration is going to pass judgment on me based on the report I present to them. I should give legitimate thought to the front issue, the body of the report, and the back issue. The front issue incorporates a little data about the recipient, the official synopsis of the report, the cover sheet, chapter by chapter guide, and arrangements of figures and tables. The body of the report ought to incorporate prologue to the report, the conversation of discoveries and results, and the end. The back issue must contain the index, references, and glossary. This is the way I should arrange my report when I need to introduce it to the administration, keeping in see the requirements of the crowd. It is likewise essential to talk about here the dangers of not considering the audience’s needs. The fundamental hazard is that the administration will think about me as an untrustworthy individual, with no feeling of how to manage seniors. In spite of the fact that the administration definitely knows my instructive and expert foundation, yet they will anticipate that me should substantiate myself after I have become a worker with their association. My general impression as a representative will get crushed in the event that I present a report that is drained of crowd mindfulness. My odds of getting

Compare and Contrast Public Goods Essay Example

Thoroughly analyze Public Goods Essay Example Thoroughly analyze Public Goods Essay Thoroughly analyze Public Goods Essay Thoroughly analyze open merchandise, private products, normal assets, and characteristic imposing business models. An open decent is a decent or administration which is non-excludable, and which has no competition. It is financed through tax collection, and is accessible to all. Its utilization doesn't lessen the sum accessible to other people, and it is accessible even to the individuals who don’t pay for it. A few instances of private merchandise may incorporate national barrier and law implementation. A private decent is a decent or administration which, whenever devoured, may not be accessible to other people. This makes it excludable, and it is generally financed by private firms. Private merchandise are solely made for benefit, and there is competition associated with getting the item or administration. Private merchandise can incorporate dress and food. A typical asset is a decent or administration which gives clients unmistakable advantages. Like open products, these merchandise are non-excludable, yet they are rival. They incorporate things that each individual has an option to utilize, and could likewise remember things for which individuals add to the creation of. This may remember things for which the general population has paid for the creation of through tax assessment. They are products, for example, water and open parks. To the impediment of everybody, abuse of basic assets may prompt devastation of that asset after some time. A characteristic restraining infrastructure happens when an organization has an enormous cost advantage over different rivals in the market. Like private products, a characteristic syndication is elite, yet has no competition. The legislature can manage the regular syndications, which guarantees that individuals are charged a reasonable cost. Service organizations would be viewed as normal restraining infrastructures. Assets http://whcbridge. com/ec7110. html investopedia. com/terms/c/normal asset. asp albany. edu/~aeco110k/day14bw/tsld021. htm http://oregonstate. edu/train/econ201/osman/Lec06/lec6os/tsld018. htm businessdictionary. com/definition/private-great. html businessdictionary. com/definition/open great. html

2012 Hurricane Names

2012 Hurricane Names 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 Underneath you will discover the posting of tropical storm names for the Atlantic Ocean for the year 2012. For consistently, there is a pre-endorsed rundown of typhoon and tropical storm names. These rundowns have been produced by the National Hurricane Center since 1953. From the outset, the rundowns comprised of just female names; be that as it may, since 1979, the rundowns switch back and forth among male and female. Storms are named one after another in order from the rundown in sequential request. In this manner the principal typhoon or storm of the year has a name that starts with An and the second is given the name that starts with B. The rundowns contain typhoon names that start from A to W, yet bar names that start with a Q or U. There are six records that keep on turning. The rundowns possibly change when there is a tropical storm that is so destroying, the name is resigned and another typhoon name replaces it. As there were no noteworthy tropical storms in 2006, the 2012 typhoon name list is equivalent to the 2006 storm name list. 2012 Hurricane Names AlbertoBerylChrisDebbyErnestoFlorenceGordonHeleneIsaacJoyceKirkLeslieMichaelNadineOscarPattyRafaelSandyTonyValerieWilliam Go along with Me on Facebook | Follow Me on Twitter mrgeog

10 Influential Black Designers from Past to Present

February is Black History Month, which gives us an excellent opportunity to learn about and appreciate the cultural contributions and achievements of African-Americans. At Lucidpress, we're passionate about great design and inspiring everyone to create beautiful things. So we're delighted to bring you this list of 10 influential black designers, reaching back to the beginning of the 1900s and continuing up to the present day. Let's dive in! Related: Innovative print design ideas you should know Product Illustrator Charles Dawson We start with Charles Dawson, who was born in 1899. He became well-known in the 1920s-30s for his illustrated advertisements, especially for beauty products and black artists. Unsurprisingly, his journey includes many firsts which paved the way for students after him to pursue their passions. "O Sing A New Song" musical poster In 1907, Dawson was the first black student admitted to the Art Students League in New York. It was a challenging environment where he faced many instances of bias and discrimination. In 1912, he took the summer to work in a buffet car and save tuition for the Art Institute of Chicago, which he observed was "bias-free." An active student, Dawson was involved in several jobs and student organizations. He was a founding member of the Arts and Letters Society, the first black artist collective in Chicago. Dawson started working for Chicago Engravers in 1919 and departed three years later to become a freelance designer. With fellow alumni from the Institute, he established the Chicago Art League, an exhibit group for black artists. Throughout his career, he would break more barriers: In 1927, his Negro in Art Week exhibition at the Art Institute of Chicago was the first show of African-American art at a major American museum. In 1934, he was the only black artist with a substantial role in the Century of Progress Fair. His illustrated mural of the Great Migration was displayed by the National Urban League in the Hall of Social Science. For much of the 1930s, Dawson worked for Valmour Products. In 1944, he became the curator for both the Museum of Negro Art Culture and the George Washington Carver Museum, where he served until his retirement in 1951. Learn more about Charles Dawson at AIGA.org. Harlem Renaissance Man Aaron Douglas Aaron Douglas was also born in 1899, but his contributions to the Harlem Renaissance (then called the "New Negro Movement") helped to propel the art style forward. He blended the geometric shapes of Art Deco, the linear rhythm of Art Nouveau, and the rich traditions of African art to create something entirely new. "Aspects of Negro Life" mural Graduating with a BFA from the University of Nebraska in 1922, Douglas taught art in Nebraska and Missouri high schools. In 1924, he moved to New York to apprentice for Winold Reiss. After designing magazine covers for Opportunity, The Crisis, FIRE!!, and Harlem, he became a highly sought-after cover illustrator, especially among black writers. Douglas continued to shape the Harlem community, crafting several murals including the famous Aspects of Negro Life. In 1938, he moved to Nashville, Tennessee, to found the art department at Fisk University—a department he chaired for nearly three decades before retiring in 1966. Learn more about Aaron Douglas at AIGA.org. Ambitious Art Director Leroy Winbush We jump forward a few years to Leroy Winbush, who was born in 1915. His ambition might be summarized best this way: though it took him 11 years to be accepted as the first black member of the Art Directors Club of Chicago, it took him only five more to become its president. Album cover designs Winbush started designing in 1936, merely one year after high school. He apprenticed making signage, murals and flyers. When he joined the sign shop at Goldblatt's department store, he was the only black employee. Seven years later, he was the company's Art Director, overseeing a staff of 60 people. In 1945, he founded Winbush Associates, his own design firm. Colleagues say he split his day between art-directing for Consolidated Manufacturing Company and for Johnson Publishing (Ebony, Jet). His career spanned many highlights: In 1959, he was the chairman for the International Design Conference in Aspen. In 1964, he helped design Illinois' exhibit for the World's Fair, including an animatronic Abe Lincoln that became the prototype for Disney's Hall of Presidents. In 1985, he helped design an underwater coral reef in the Living Seas pavilion at EPCOT. Winbush also gave back to his community through education. Despite having no formal education himself, he taught visual communication at School of the Art Institute of Chicago. He also developed a long-term exhibit about sickle-cell anemia for Chicago's Museum of Science. Learn more about Leroy Winbush at AIGA.org. Ad-man turned Artist Thomas Miller Thomas Miller was born in 1920. When he graduated from the Ray-Vogue College of Design in 1950, he was the institution's only black student. Soon afterwards, he was one of two to be accepted into the Society of Typographic Art. Founder's mosaic at DuSable Museum of African American History Miller enjoyed decades as a successful commercial designer. After working for Gerstel/Loeff, he joined the international design firm Morton Goldsholl Associates, where he worked for 35 years on large ad campaigns, such as 7-Up's major redesign in the 1970s. When he wasn't working, Miller still followed his own artistic passions, creating oil paintings and monotypes in his signature style. One of his most well-known projects can be seen today in the DuSable Museum of African American History: he created mosaic portraits of the museum's eight founders. Learn more about Thomas Miller at The History Makers and Wikipedia. Pioneering Ad-man Emmett McBain A graduate of the Illinois Institute of Technology, Emmett McBain (born in 1935) also studied at the Ray-Vogue College of Design as well as the American Academy of Art. He became a designer for Vince Cullers and Associates, the first black-owned ad agency. But that wouldn't be the last time he was a pioneer in African-American advertising. "What Color is Black?" poem advertisement McBain enjoyed a varied design career, from being Playboy's promotional art director to designing album covers for Mercury Records. He worked for J. Walter Thompson and Associates, where he took part in Ford's 1964 campaign to introduce the Mustang. In 1971, McBain partnered with Tom Burrell to form Burrell McBain Inc. This ad agency pioneered advertising to African-American markets and introduced corporations to the concept that "black people are not dark-skinned white people." Their campaigns recognized and emphasized the demographic and cultural differences that had been previously ignored in mass media. Though the agency is still around today as Burrell Communications Group, McBain left in 1974 to pursue art and support black artistry. Learn more about Emmett McBain in this NewCity article. Pentel Provocateur Archie Boston In one of his most famous ads, Archie Boston leans over a table of pens and eyes the camera. "I told Pentel what to do with their pens," the headline declares. "And they did it." It's a single example plucked from Boston's long career of self-aware, provocative work. Pentel packaging designs Born in 1943, Boston attended Chouinard Art Institute (later called CalArts) in 1961—and nearly dropped out to take a job in advertising. Instead, he took an internship at Carson/Roberts during his senior year. After working with his brother Brad on a variety of projects, the two founded Boston Boston design in 1967. They never shied away from race in their work, opting instead to acknowledge it directly and challenge audiences to rethink their assumptions and prejudices. In 1969, Archie joined Botsford Constantine and McCarthy for eight years. During his time there, he also founded Archie Boston Graphic Design and began taking clients in 1973. Later he became the first black president of the Los Angeles Art Directors Club. From his 20s onward, Archie has been a teacher. He started at Chouinard, and currently he's a professor at California State University Long Beach (CSULB), where he's taught for nearly 40 years. Learn more about Archie Boston at AIGA.org. Project Powerhouse Sylvia Harris The first female designer on our list, Sylvia Harris was born in 1953. She earned her BFA in communication arts and design from Virginia Commonwealth University, and her MFA in graphic design from Yale University. Exhibit design for The Women's Museum Harris spent much of her career in the public sector, planning and improving the communities around her. She started as a designer for WGBH, Boston's public TV station. From there she moved on to The Architects Collaborative (TAC) headed by Walter Gropius, and then the prestigious Skidmore, Owings and Merrill (SOM). It was at SOM that Harris got involved in environmental urban planning; her clients there included the Massachusetts Bay Transit Authority and the U.S. Department of Transportation. In 1980, along with two partners, Harris founded Two Twelve Associates, a graphic design consulting firm. She worked on projects for many clients, including the New York State Council of the Arts, Port Authority of New York and New Jersey, and the Central Park Zoo. She also taught design students at Purchase College State University and at Yale. Learn more about Sylvia Harris at AIGA.org. Typography Titan Gail Anderson Gail Anderson was born in 1962 and studied at the School of Visual Arts in New York. The art of words and letters have played a major role in her design career, starting from the beginning when she worked at Vintage Books and The Boston Globe Sunday Magazine. As an expert in conceptual typography, she works with all sorts of materials—traditional and non-traditional—to create eclectic expressions of style. "New Vintage Type" book cover Anderson was an impressive fixture at Rolling Stone Magazine for 15 years. Starting as an associate in 1987, she rose to become its Senior Art Director before departing in 2002. From there, she joined SpotCo, one of New York's largest entertainment design agencies. Again, she rose to the top to become its Creative Director before departing in 2010. Residents of New York City are likely familiar with Anderson's work without even realizing it. Her poster designs for Broadway and off-Broadway plays have been hung all around the city and featured in outdoor transit advertising. Currently, Anderson is a partner at Anderson Newton Design with Joe Newton. She's also a faculty member at the School of Visual Arts, and she's co-published several books on typography and graphic design. Learn more about Gail Anderson at AIGA.org. Digital Designer Eddie Opara Born in England in 1972, Eddie Opara studied at the London College of Printing and at Yale University. After earning his MFA in 1997, he moved to New York City to work for Imaginary Forces. Infographic about infographics for Fast Co. It wasn't too long after that when Opara became the Art Director for 2 x 4, the influential design studio. In 2005, he founded his own interactive design studio, The Map Office, in New York and began work for clients such as the Studio Museum in Harlem, the Architecture Research Office, the Queen Museum of Art, and New York University. In 2010, Opara joined Pentagram as a partner. Opara's work sits at the intersection of design and technology. He has earned numerous awards in his career, including a Gold Cube from the Art Directors Club. His work is the permanent collection of the Museum of Modern Art (MoMA). In 2012 and 2014, he was named one of Fast Company's 100 Most Creative People in Business. Today, he's also a senior critic at Yale. Learn more about Eddie Opara at Famous Graphic Designers. Culture Celebrator Michele Washington Rounding out our list today is Michele Washington, who studied at the School of Visual Arts and Brooklyn's Pratt Institute before working for Vogue Butterick Patterns. Her career in media is wide-ranging, from newspaper design at the Chicago Tribune and The New York Times to editorial art direction at Essence and Self magazines. Mausam product packaging designs Washington has taught a grad-level exhibition class at New York's Fashion Institute of Technology (FIT). She founded and leads her own design firm, Washington Design, in Brooklyn's DUMBO neighborhood. Today she also provides creative direction for Cox Matthews Associates and user research for Cerebral Design. Multi-cultural influences abound in Washington's work, as her colorful designs often incorporate language, patterns, and textures from many cultures around the world. One example is the bright and earthy product packaging for her line of natural home body products. Many of her design influences are featured in articles she's written for her website, CulturalBoundaries.com. Learn more about Michele Washington at AIGA.org. This is only a handful of the incredible black designers who've shaped our visual culture and continue to influence it today. It's important to recognize not only their talent but their determination to overcome any obstacles and pave the way for future designers. Major thanks to the AIGA for being an invaluable resource in researching this post. If you enjoyed it, please share it with your friends and followers! Like this post? Share it on Facebook, Twitter, Google+ or LinkedIn.

The Scarlet Letter, By Nathaniel Hawthorne - 1817 Words

Throughout history, one recurring theme has been the harsh judgement of society against those who stand out. Although in certain periods and different societies, public shaming seems to have been more severe, it is, in all actuality, equally cruel today, yet in different forms. Despite this, keeping one s sins a secret and away from societal judgement seems to have more of a negative effect on oneself, often causing poor mental and physical health, than confessing and facing consequences. In The Scarlet Letter, author, Nathaniel Hawthorne explores how one is affected, both physically and mentally, when his/her appearance doesn t match his/her reality through the main characters of the novel, Hester Prynne and Arthur Dimmesdale. In their 1600 s Puritan society, Hawthorne depicts the differences between Hester and Dimmesdale’s public versus private shaming for their committed sin of adultery, reflected through how both forms of ignominy affect their characters mental and physica l health. Although Hester and Dimmesdale are the main characters that struggle with the difficulty of their appearance matching their reality, there are others that contribute to their conflicts. These characters are known as Pearl, Hester’s daughter who is being portrayed as â€Å"God’s messenger† to teach her to be her true self, and Roger Chillingworth, Hester’s long lost husband who torments Dimmesdale, also teaching him to be his true self by challenging him confess his sin throughout the novel. InShow MoreRelatedThe Scarlet Letter By Nathaniel Hawthorne1242 Words   |  5 PagesLYS PAUL Modern Literature Ms. Gordon The Scarlet Letter The scarlet letter is book written by Nathaniel Hawthorne who is known as one the most studied writers because of his use of allegory and symbolism. He was born on July 4, 1804 in the family of Nathaniel, his father, and Elizabeth Clark Hathorne his mother. Nathaniel added â€Å"W† to his name to distance himself from the side of the family. His father Nathaniel, was a sea captain, and died in 1808 with a yellow fever while at sea. That was aRead MoreThe Scarlet Letter By Nathaniel Hawthorne960 Words   |  4 Pages3H 13 August 2014 The novel, The Scarlet Letter, was written by the author Nathaniel Hawthorne and was published in 1850 (1). It is a story about the Puritan settlers of the Massachusetts Bay Colony, set around 1650 (2). The story is written in the third person with the narrator being the author. The common thread that runs through this novel is Hawthorne’s apparent understanding of the beliefs and culture of the Puritans in America at that time. But Hawthorne is writing about events in a societyRead MoreThe Scarlet Letter, By Nathaniel Hawthorne919 Words   |  4 Pagessymbolism in Nathaniel Hawthorne’s â€Å"The Scarlet Letter†. Symbolism is when an object is used in place of a different object. Nathaniel Hawthorne is one of the most symbolic writers in all of American history. In â€Å"The Scarlet Letter†, the letter â€Å"A† is used to symbolize a variety of different concepts. The three major symbolistic ideas that the letter â€Å"A† represents in Nathaniel Hawthorne’s â€Å"The Scarlet Letter† are; shame, guilt, and ability. In Nathaniel Hawthorne’s â€Å"The Scarlet Letter†, the firstRead MoreThe Scarlet Letter By Nathaniel Hawthorne1397 Words   |  6 PagesFebruary 2016 The Scarlet Letter was written by Nathaniel Hawthorne in 1850 which is based on the time frame of the Puritans, a religious group who arrived in Massachusetts in the 1630’s. The Puritans were in a religious period that was known for the strict social norms in which lead to the intolerance of different lifestyles. Nathaniel Hawthorne uses the puritan’s strict lifestyles to relate to the universal issues among us. The time frame of the puritans resulted in Hawthorne eventually thinkingRead MoreThe Scarlet Letter By Nathaniel Hawthorne999 Words   |  4 Pages Nathaniel Hawthorne is the author of the prodigious book entitled The Scarlet Letter. In The Scarlet Letter, Hester Prynne commits adultery with Reverend Arthur Dimmesdale. Her husband, Roger Chillingworth, soon finds out about the incident after it becomes clear that she is pregnant. The whole town finds out and Hester is tried and punished. Meanwhile, Roger Chillingworth goes out then on a mission to get revenge by becoming a doctor and misprescribing Dimmesdale. He does this to torture DimmesdaleRead MoreThe Scarlet Letter, by Nathaniel Hawthorne1037 Words   |  5 Pagesthat human nature knows right from wrong, but is naturally evil and that no man is entirely â€Å"good†. Nathaniel Hawthorne, author of the classic novel The Scarlet Letter, believes that every man is innately good and Hawthorne shows that everyone has a natural good side by Hester’s complex character, Chillingworth’s actions and Dimmesdale’s selfless personality. At the beginning of the Scarlet Letter Hester Prynne is labeled as the â€Å"bad guy†. The townspeople demand the other adulterer’s name, butRead MoreThe Scarlet Letter By Nathaniel Hawthorne1517 Words   |  7 PagesNathaniel Hawthorne composes Pearl as a powerful character even though she is not the main one. Her actions not only represent what she is as a person, but what other characters are and what their actions are. Hawthorne makes Pearl the character that helps readers understand what the other characters are. She fits perfectly into every scene she is mentioned in because of the way her identity and personality is. Pearl grows throughout the book, which in the end, help the readers better understandRead MoreThe Scarlet Letter, By Nathaniel Hawthorne1488 Words   |  6 Pages In Nathaniel Hawthorne’s novel The Scarlet Letter, the main character, Hester Prynne, is a true contemporary of the modern era, being cast into 17th century Puritan Boston, Massachusetts. The Scarlet Letter is a revolutionary novel by Nathaniel Hawthorne examining the ugliness, complexity, and strength of the human spirit and character that shares new ideas about independence and the struggles women faced in 17th century America. Throughout the novel, Hester’s refusal to remove the scarlet letterRead MoreThe Scarlet Letter By Nathaniel Hawthorne1319 Words   |  6 PagesPrynne and Arthur Dimmesdale are subject to this very notion in Nathaniel Hawthorne s The Scarlet Letter. Hester simply accepted that what she had done was wrong, whereas Dimmesdale, being a man of high regard, did not want to accept the reality of what he did. Similar to Hester and Dimmesdale, Roger Chillingworth allows his emotions to influence his life; however, his influence came as the result of hi s anger. Throughout the book, Hawthorne documents how Dimmesdale and Hester s different ways of dealingRead MoreThe Scarlet Letter By Nathaniel Hawthorne1714 Words   |  7 PagesSome two hundred years following the course of events in the infamous and rigid Puritan Massachusetts Colony in the 1600s, Nathaniel Hawthorne, descendant of a Puritan magistrate, in the 19th century, published The Scarlet Letter. Wherein such work, Hawthorne offered a social critique against 17th Massachusetts through the use of complex and dynamic characters and literary Romanticism to shed light on said society’s inherent contradiction to natural order and natural law. In his conclusive statements

Analysis of Summer of the Seventeenth Doll - 1483 Words

Summer of the Seventeenth Doll, by Ray Lawler was a ‘bottling’ performance. A highly effective use of lighting, set design, props and additional sensory stimulus; were powerful tools in creating a realistic production. The skilful use of the elements of drama; human context; language, movement, mood and dramatic tension, enabled the audience to relate to the characters and plot. The development of sub-plots also added to the creation of a realistic performance, by mirroring the human condition. Through the effective use of these dramatic techniques; Neil Armfield was successful in creating a realistic portrayal of Ray Lawler’s Summer of the Seventeenth Doll. The 1950’s style setting created on stage, using the set design, props and†¦show more content†¦Olive and Pearl had a somewhat odd friendship at the beginning of the play, Olive tried desperately to make her standard of life seem fit to the much more classy Pearl. However as their situations unfold, it is made clear that much of this ‘class’ in Pearl is surface level only. We learn her husband has left her and she has a problem daughter. After learning this Olive seems to warm much more easily to Pearl, possibly reflecting Olive’s insecurity around people of a higher class. Neil Armfield was highly successful in implementing the elements of drama, especially those of movement, mood, language and tension. All characters within Summer of the Seventeenth Doll created realistic mood to portray their respective characters. As the summer progressed, the mood changed dramatically, from the bubbly highs of the first meeting, demonstrated mainly by Olive’s nervous excitement in the moments before the arrival of Roo and Barney; to the depressive goodbye demonstrated again by Olive when she clears the entire house. When juxtaposed to the mood of the previous sixteen summers, the audience was able to see from the beginning that this summer was going to be different; through strong use of mood it was clear that this would be the last of the summers. While movement was in the most part realistic, the actors did lapse in this area occasionally; this was most evident in the fight scene between Roo and Barney. However the most

The Neolithic Revolution free essay sample

The Neolithic Revolution One of the biggest turning points in history was the Neolithic Revolution. This was the transition from the Paleolithic period of history to the Neolithic period. The major point was the agricultural part. This made it possible for villages to be built. Because of that, people stopped being nomads. This was the biggest point of the Neolithic Revolution. Before the Neolithic Revolution, people were nomadic and moved around from place to place following food. Their source of food was hunting and gathering. The Neolithic Revolution started with the beginning of farming. Also with the domestication of animals. Something else that changed with the Neolithic Revolution was the art. Neolithic art became bigger, and pottery became more common. Clothing also changed. It was detailed with beads during the Neolithic period. Also, the tools became more advanced. For example, tools became sharper and smoother. They also developed hand axes and spears. Also, both of these revolutions lasted for long periods of time. The Neolithic Revolution lasted for thousands of years and the Industrial Revolution lasted for only hundreds of years. These revolutions also have similarities within their economy. Both of their economies were strengthened at some point in the revolution. Also, during both these revolutions people migrated to more populates areas. The people in the Neolithic Revolution migrated to villages and the people of the Industrial Revolution moved to cities in the suburbs. The Industrial Revolution also had some negative aspects, as did the Neolithic Revolution. Throughout the uprising, disease spread because the people are not moving from town to town as much and moving around. People were also beginning to be taken for granted now that they were settled in to one area. Both groups of people experienced pollution within their cities and villages and had overcrowding of garbage from the food and factories. These revolutions not only changed the economy, social ideas, and standard of living, but they both changed the way of life for their people and for the people to come. The smallest inventions that were created during the Neolithic Revolution, to the large machinery invented in the Industrial Revolution changed the way people live in present time. Although these two events have many similarities, they also have significant differences. The population was dramatically increased during the Neolithic Revolution, but during the Industrial Revolution, the population began a steady decline. During the Neolithic Revolution, many hand tools and metal tools were created to make life easier for the people of the time. During the Industrial Revolution machines were created to give people easier ways to produce items and to again: make life simpler. When the Neolithic Revolution began, most people hunted and gathered, but as time went on people started to use a new farming method. This made peoples hours of working much less and they had a lot of â€Å"idle periods. † The Industrial Revolution changed the people of their time from farming in the rural region, and moved them to cities to start working in factories. This contrasts to the Neolithic revolution because the hours of work ranged from ten to even seventeen hours of work. There was also fierce completion for jobs, the conditions were awful and the pay was not up to par in the Industrial Revolution. The crime rate was also very high within these cities, and the little bit of their money was so important to keep a family healthy. Although the economy changed within both societies, the Neolithic financial system was far better. People were able to afford to build homes; while people in the Industrial Revolution were so poor they had to live in tenants. Each revolution also had small advancements that made huge differences within their society. During the Neolithic Revolution, woven baskets were created to hold crops so that they could carry them from place to place. An advancement made in the Industrial Revolution was that by the late 1800’s the transportation and communication was improved, so people could get to work easier and they would contact people easily even if they lived farther away. The long term effects also differ for each revolution. The Neolithic Revolution mainly gave humans more control over their food supply, because they were able to stay in one spot and grow food other than being on the move to find food. The effects of the Industrial Revolution include increased military power, domination of Western countries, and population growth rate within their people and in the west. Also, Western civilization spreads along with weapons, transportation and communication ideas. The Neolithic Revolution and the Industrial Revolution, though far in time, not only contain similar thoughts, but they also show many different ideas of living and social aspects. These Revolutions compared to each other show that no matter how little an idea may be, or how little a thought may start out, everything contributes to modern day society and the things we have today. Each idea and invention made from the days of the Neolithic Revolution helped to lead up to the Industrial Revolution, which helped to lead to our modern day society.